Kissing The Shotgun Goodnight

Chapter, Cardiff. Photo by Noelson Dace

Chapter, Cardiff. Photo by Noelson Dace

clouds of haze and crumbling walls of transcendent noise, KISSING THE SHOTGUN GOODNIGHT is a neo-noir fever dream and 120 decibel suicide note. a juggernaut of music-theatre that eschews conventional narrative in favour of broken words, futurist soundscapes and dark psychedelia. elliptical, nihilistic sci-fi poetry gives way to a shifting sea of sonic textures and hallucinatory lighting. three musicians, piano corpses and the violent poetry of a disembodied voice. a gleeful howl from the armpits of hell. a nocturnal meditation crooned into the swollen abyss. soothing drones and crushing metal, swamps of feedback and pools of reverb, klattering rhythm and throbbing bass. a return to the womb for those who wish they could crawl back inside mother to hide.

recommended for those with an aural fixation.

no kids. no dogs. no storyline.

rated R. 75 mins. colour. 3D.

 

writer / performer: christopher brett bailey 

dramaturg: anne rieger 

composer-musicians: alicia jane turner, george percy and christopher brett bailey 

lighting design: lee curran 

sound design: george percy and christopher brett bailey 

production manager: helen mugridge 

producer: beckie darlington

poster image: nathan hoste

 

Commissioned by Attenborough Centre for the Creative Arts, Cambridge Junction, Ovalhouse, Theatre in the Mill, and Theatr Iolo. Supported by Arts Council England. With thanks to Hackney Showroom.